{"id":15,"date":"2023-09-24T17:27:29","date_gmt":"2023-09-24T17:27:29","guid":{"rendered":"https:\/\/alavi.dk\/?page_id=15"},"modified":"2026-08-16T11:10:41","modified_gmt":"2026-08-16T11:10:41","slug":"front","status":"publish","type":"page","link":"http:\/\/alavi.dk\/","title":{"rendered":"front"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"Masoud\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Visual artist, type designer and graphic designer, Masoud Alavi, was born in Isfahan<\/a>, at the heart of Iran. Growing up in a city steeped in culture, Masoud began his artistic journey at the age of 12 in an art school during the revolutionary times of 1979 in Iran. At the age of 18, he moved to Tehran to pursue design and art at Tehran University’s Art Faculty.<\/p>

Enduring the challenges of the war between Iran and Iraq, Masoud found himself in the midst of the conflict. At the age of 23, seeking refuge, he left Iran and relocated to Denmark, where he continued his studies in design in current Royal Danish Academy of Fine Arts, School of Design.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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For portfolio and inquiries:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Artist Statement<\/strong><\/h3>

Masoud Alavi\u2019s practice investigates drawing as a condition of becoming. Working between manual gesture and machine-mediated processes, he explores how form emerges through repetition, interruption, and return.<\/p>

For Alavi, the line is not merely a mark but an event, a trace of movement unfolding in time. What matters is not only what appears, but what withdraws: the pauses between strokes, the lifted pen, the silent transition from one gesture to the next. These intervals, though invisible, structure the work. They are the ground from which presence arises.<\/p>

Repetition operates as a mode of thinking. Through accumulation and rhythm, forms gradually disclose themselves, shifting between control and contingency. Each work stages a tension between intention and release, precision and instability.<\/p>

Alavi approaches drawing not as representation but as process, an inquiry into Being as something continuously formed and reformed. The image is never fixed; it is the temporary resolution of movement. In this unfolding, absence is not lack, but a generative force.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Exhibitions<\/strong><\/span><\/h3>

2026 \u2014 FOYER, Copenhagen (solo)
2007\u20132008 \u2014 Danish Design Center, Copenhagen (group)
2000 \u2014 Nikolaj Kunsthal, Copenhagen (group)
2000 \u2014 Dansescenen, Copenhagen (group)
1996 \u2014 Nikolaj Kunsthal & \u00d8ksnehallen, Copenhagen (group)
1995 \u2014 Sophienholm, Lyngby (group)
1995 \u2014 Gallery Asb\u00e6k, Copenhagen (group)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Education<\/strong><\/h3>

Master\u2019s degree, Royal Danish Academy, School of Design, Copenhagen \u2014 (1990\u20131992)
Master\u2019s degree, Tehran University, Faculty of Fine Arts \u2014 (1983\u20131988)
Bachelor, Fine Art School, Isfahan \u2014 (1979\u20131983)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Visual artist, type designer and graphic designer, Masoud Alavi, was born in Isfahan, at the heart of Iran. Growing up in a city steeped in culture, Masoud began his artistic journey at the age of 12 in an art school during the revolutionary times of 1979 in Iran. At the age of 18, he moved […]<\/p>\n","protected":false},"author":1,"featured_media":18,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_canvas","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-15","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"http:\/\/alavi.dk\/index.php\/wp-json\/wp\/v2\/pages\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/alavi.dk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/alavi.dk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/alavi.dk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/alavi.dk\/index.php\/wp-json\/wp\/v2\/comments?post=15"}],"version-history":[{"count":258,"href":"http:\/\/alavi.dk\/index.php\/wp-json\/wp\/v2\/pages\/15\/revisions"}],"predecessor-version":[{"id":342,"href":"http:\/\/alavi.dk\/index.php\/wp-json\/wp\/v2\/pages\/15\/revisions\/342"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/alavi.dk\/index.php\/wp-json\/wp\/v2\/media\/18"}],"wp:attachment":[{"href":"http:\/\/alavi.dk\/index.php\/wp-json\/wp\/v2\/media?parent=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}